![]() The person executing the art work is meant to draw 45 white lines on a wall grounded in yellow the lines must be such that nine lines run from the four corners of the room and another nine lines run from a point in the wall’s center. The artist himself can, realize his own work, but this was no prerequisite.Ī short and clear concept underlies Wall Drawing # 261 – a composition of lines on a colored wall. Any skilled drawer could then realize the drawing. The artist’s instructions expressed on paper serve as the basis for the wall painting, which represents the visual, artistic manifestation of the idea. ![]() In conceptual art the idea or concept is the most important aspect of the work.”Īside from a few paintings, drawings, and sculptures this idea gave birth to LeWitt’s most famous basic idea – the conception of the wall drawings. He summarized the essence of his views in 1967 as follows: “I will refer to the kind of art in which I am involved as conceptual art. With the treatises entitled “Paragraphs on conceptual art” (1967) and a year later “Sentences on conceptual art” he defined a quite unique approach to art, setting it off from the predominant Abstract Expressionism of the day, and coined the term ‘conceptual art’ that was to be used by an entire new generation of artists. In the 1960s, he published his own ideas on art theory, among other things in the then pioneering magazine Artforum. Sol LeWitt’s career began in the mid-1950s, when he worked as a graphic artist in the studio of architect Ieoh Ming Pei. Tuymans’s work not only extended across the walls but also onto the floor of the Kabinett. For example, in 2008 Luc Tuymans placed himself in firmly in this lineage and reverted back to Palermo by citing the latter’s drawing with one of his own. The wall drawing has a long tradition in the Kabinett in Bremerhaven, which began in1970 with Blinky Palermo’s wall painting based on the Kabinett’s shop front and continues to this very day. The artist, who died in 2007, conceived over 1,000 wall drawings, all of which were numbered and as such represent a lifelong series. IN COLLABORATION WITH GREGOR SCHNEIDER AND MORITZ WESSELERįollowing the presentation of 2 Sea Pieces by Gerhard Richter the MMK Museum of Modern Art in Frankfurt/Main is reconstructing Wall Drawing # 261 by Sol LeWitt, which was originally shown 1975 in the Kabinett für aktuelle Kunst in Bremerhaven. LeWitt’s practice challenged fundamental beliefs in art, particularly the authority of the artist and his works eschew narrative or straightforward interpretation.DOUBLE – 40 YEARS KABINETT FÜR AKTUELLE KUNST, BREMERHAVEN He created systems, often mathematical or architectural in nature, as blueprints for creating art, which in turn, became the works of art themselves. His works ranged from sculpture, painting, and drawing (most famously his wall drawings). LeWitt stressed the importance of the idea of art-that it was, in fact, the work of art-and that its ultimate production could be delegated. 2007, New York City) was one of the pioneers of Conceptual art. With their modular units and construction, the structures engage issues of production central to modern urban society. Rising over twenty feet high, Tower (Frankfurt), (1990) and Tower (Lodz) (1993) greet visitors at the entry to the Miami Design District, ICA Miami’s neighborhood partner, from Miami Beach. The concrete structures are important examples of LeWitt’s approach to Minimalism and composition, and an expression of the artist’s engagement with urbanism and intervention with public space. ![]() Two outdoor concrete block structures by conceptual pioneer Sol LeWitt inaugurate ICA Miami’s public sculpture program.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |